IAMONE Poland
IAMONE delivers the heaviest dose of modern extremely low tuned heavy guitars, complex polyrhythms, combined with beautiful melodies and an array of film score elements, cyberpunk synths, harps, bells, choirs, orchestras and many, many more unusual instruments for the genre. ... more
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supported by 5 fans who also own “CRISIS FACTOR”
Me encanta este album porque refleja el gran esfuerzo y dedicacion que Daniels ha hecho en su carrera, y se nota lo mucho que le gusta. Las personas no se comprenden al 100% entre realidades, pero la música es un lenguaje indescriptible. Felicidades Dan, te lo has ganado.
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supported by 4 fans who also own “CRISIS FACTOR”
Every track stands out and really sticks, and everyone on this album brought their A game. It's definitely not as heavy as previous albums, but that doesn't matter because it's their best release to date. To me, this feels like Shokran reaching their final form, and it's beautiful. However, the final boss always has another form after the form you thought was the final form, so I can't wait to see what's next!
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supported by 4 fans who also own “CRISIS FACTOR”
“… And Everything In Between” was a great introduction to the band, and after having listened to it 2975295 times in a relatively short while I could appreciate “Artificial Void” (which is perhaps a bit more intricate?) better.
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A brand new record from one of the best metalcore acts around.
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Midwestern prog-metal stalwarts go for the throat on their new EP, featuring a roiling cover of the Smashing Pumpkins' “1979.”
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PERSONAL COMPUTER
by MASTER BOOT RECORD
Victor Love once again proves himself ahead of the pack.
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supported by 4 fans who also own “CRISIS FACTOR”
One of the only bands whose beat blasts through your headphone and still sounds melodic. What an album! And there's more but I'll leave you to it!
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